When using the symbol as a control, you may want to scale it up to make it quite large, so that you can easily grip on to move the figure around. You would then drag it to the stage and integrate it into the puppet design, to help pose, block in, and move the figure for key gestures, before you refine the animation with subtler character acting and follow-through motion. Therefore, you should make a “ core symbol,” which means making a simple object like an oval form and covert it to a symbol. When designing a puppet, you should use the pelvis or a core-symbol in the lower-torso region to help manipulate the puppet in broad strokes. Use the Selection Tool to move the objects around. Doing so will make moving objects smoother because the objects won’t snap to screen pixels and guides.Īdd the Graphic Clips to the Stage to begin to organize the rig. Turn off “snapping.” To do so, go to the Main Menu > View > Snapping and choose “Edit Snapping.” From the Edit Snapping Window, deselect the various options (i.e., Align, To Grid, To Guides, To Pixels, and To Objects). To Prepare for Frame-By-Frame Cutout Animation Under Colour Effect, you can modify the Brightness, apply a Tint, use the Advanced (Alpha, Red, Green, and Blue), or adjust the Alpha (transparency). For example, referring to the Properties Inspector, click on a Symbol and go to the Properties.They’re similar to Compositions in After Effects, in that, when you adjust a symbol, all instances of the Symbol in the Timeline will update and change. Once you’ve converted objects, you can then make adjustments to the Symbols. To make a folder, click on the Folder Icon at the bottom edge of the Library, and name it Originals. To organize the files in the Library, put the original pieces in a folder. You should give the Symbols similar names as the original artwork. Registration: Click the square in the middle of the icon.Type: Choose “Graphic” (not “Movie” or “Button”).From the Convert to Symbol Window, enter the following:. From the Stage, click on the piece and then go to the Main Menu > Modify > Convert to Symbol (or, alternatively, press the F8 key, or context-click Convert to Symbol).Go to the Library and drag a puppet piece to the Stage.In order to use the Bone Tool to link pieces and assemble the armature, you must turn the individual puppet pieces into Symbols: Important Adobe Animate Toolsįor information on Adobe Animate and Symbols, click > here. Otherwise, when it comes to animating the objects with Adobe Animate, you will have to manipulate symbols with large transparent regions, which will make their handling cumbersome.įor notes on how to use Photoshop to crop images, click > here.įrom Adobe Animate, import the pieces to the Library (i.e., Main Menu > File > Import > Import to Library). But, use Photoshop to crop the pieces so they have minimal extra regions beyond the artwork. You can create the puppet directly in Adobe Animate, or with Photoshop, artwork that has been scanned or captured, etc. The following descriptions cover the production steps, to get you started with building a rig and animating the puppet. When you manipulate a character’s hand, the arm and shoulder will follow along. With this feature, you can hinge joints on a character, at the shoulders, elbows, hands, hips, knees, ankles, etc., to construct an armature that moves by parenting symbols and utilizing inverse kinematics. With recent versions of Adobe Animate, it is now possible to link and parent objects/symbols using the Bone Tool. Furthermore, to expand on a 2D cartoon feel, you should seek inspiration from other techniques and references, such as woodblock and lino-cut printing and illustration techniques. For example, you could use Animate primarily for character animation and then export image sequences with transparencies to continue to work with additional layers in After Effects. On first glance, the program may only seem to generate flat-colour designs suitable for a cartoon look, but you can pursue visually complex projects, with both style and movement. With its built-in digital drawing and painting tools, the software works well for drawn animation, but it’s also ideal for cut-outs, largely because of the quick access to manipulation tools like free transform and its anchor point, grouping options, an onion skin, in addition to the straightforward editing of frames and keyframes. It has many attractive and useful features, including layers and keyframes. Adobe Animate: Bones Tool and 2D Puppet ArmaturesĪdobe Animate is a very good animation program.
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